“In a way you can look at that and go “I understand exactly where it’s coming from.” ’s basically someone going ‘I want to turn the clock back to 2019 when we didn’t have to worry about this. “That was a big part of what drove this story,” Mickle said. He wages a campaign of hearts and minds among adult survivors, promising that he holds the key to the destruction of hybrids and a return to the normalcy of the times before the Great Crumble. In the show’s sophomore season, Abbot’s motivations, his army, and his dungeon full of hybrid children naturally came into primary focus. A lot of the things that seem like opposition in the world, it’s always framed in this thing of ‘Go back to the good old days,’ whether it’s make ‘America great again” or it’s Let’s go back to a time when no one read these books, or Let’s go back to a time when, you know, gender was gender - whatever those kinds of things are, it always sort of seems to come from this weird, vague, fool’s gold, nostalgia.” But that goes into theme of ‘You can’t go home again.’ That, to me, is what fueled Abbot. You can get really literal with - and that to me is where it starts to fall apart a little bit, when you get too literal. When asked if Mickle saw any real world relevance to the idea of a society that says “our children are different from us, and therefore civilization has ended” he wasn’t shy about agreeing. But the greatest threat to hybrids are the hunters of the Last Men, led by a shadowy fascistic leader, General Abbot, who, in the show’s cliffhanger season finale, captured our adorable hybrid hero, Gus (Christian Convery). Most survivors wrongfully believe that hybrids are completely inhuman, and humanity as we know it is in its final days. In Sweet Tooth, blame for the apocalypse is heaped on hybrids - a generation of children born with a mixture of human and animal qualities, and then abandoned to the wild. According to Mickle, what makes Abbot work as a villain is also what makes Sweet Tooth work as a show: The futility of trying to turn back time, and the necessity of moving forward. “When you start to of your story together you start to go ‘What is actually driving him? What’s actually making this work?’” showrunner Jim Mickle told Polygon over video in anticipation of season 2, which hits Netflix on Thursday. ![]() Singh (Adeel Akhtar) tries to keep his infected wife alive without further compromising his morality.Įxpect plenty more dream sequences, trippy visuals, and, we can only hope, more needle drops of Of Monsters and Men songs.In Sweet Tooth, Netflix’s post-apocalyptic fable based on Jeff Lemire’s DC Comic of the same name, humanity’s only hope is to reject change, and try, by any means necessary, to recreate life just as it was before “the Great Crumble.” Or at least that’s what the show’s dapper and fascistic antagonist General Abbot (played by Neil Sandilands) would have you believe. ![]() ![]() Netflix’s new teaser trailer is big on emotion and short on plot, but it certainly seems we’ll pick up from last season’s cliffhanger, with Gus and the other animal children in the cruel hands of General Abbot (Neil Sandilands), and Jepperd and hybrid foster mom Aimee (Dania Ramirez) searching for their lost kids - while Dr. Of all the shows that just so happened to depict a pandemic-caused apocalypse during an actual global pandemic, Sweet Tooth was, aptly, the sweetest.Īnd on April 27, the story of Gus the Deer Boy (Christian Convery, Cocaine Bear), the bounty hunter Jepperd (Nonso Anozie, Game of Thrones), and their mixed-up post-apocalyptic world where all children are born animal hybrids, will continue. Burnt out on apocalypse stories? Well, so was Jeff Lemire when he started turning his now-classic comic into a considerably changed Netflix adaptation.
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